Features and Specifications Venice 160 Venice 240 Venice 320 Inputs (total) 30 38 46 Mono-Inputs (Mic/Line) with Inserts 8 16 24 Stereo-Line/Mono-Mic-Input Channels 4/4 4/4 4/4 Stereo-Effect-Returns (Line) 4 4 4 Stereo-Tape-Return (Line) 1 left/right Busses 15 Subgroups 4 Aux Pre-Fader (Monitor) 2 Aux Post-Fader (Effects) 2 Aux switchable Pre/Post-Fader 2 Master L/R 2 Mono-PFL 1 Stereo-AFL 2 Outputs Subgroups (with Inserts) 4 impedanced balanced 1/4 inch jacks Aux Pre-Fader (Monitor) 2 XLR (balanced) Aux Post-Fader (Effects) 2 impedanced balanced 1/4 inch jacks Aux switchable Pre/Post-Fader 2 XLR (balanced) Master (with Inserts) 2 XLR (balanced) Master B Out 2 XLR (balanced) (switchable Mono/Stereo, pre-post Fader) Tape Send (Recording) 1 Stereo (Phono) Direct Outputs (1/4 inch Jack) 8 16 24 Stereo-Headphones 2 Stereo-1/4 inch jack Stereo-Speakers 2 impedanced balanced 1/4 inch jacks Additional Features Connector for desk lamps 2 x 12V/5W (4-Pin XLR) 19 -rack-mounting- kit, yes - - rotatable connector panel yes - - Accessories Dust Cover (included) 12 V Desk Lamp (not included) Input Transformer (not included) Technical Data Input Impedance Mic Line Input Gain Mic Line (Mono Channell) Line (Stereo Channel) Line Level Inputs 2kΩ Balanced 20kΩ Balanced Continuously variable 0dB to +60dB Continuously variable -20dB to +40dB Continuously variable -10dB to +20dB 0dB

Maximum Input Level Microphone and Line Line Level Inputs (Mono) Line Level Inputs (Stereo) CMR at 1kHz Mic (Gain +30dB) Line CMR at 100Hz Mic (Gain +30dB) Frequency Response (20Hz-20kHz) Mic to Mix (Gain +60dB) Noise (20Hz-20kHz) Mic EIN ref. 150Ω gain +60dB Mic EIN ref. 150Ω gain 0dB System Noise (20Hz-20kHz) Summing Noise (12 channels routed, faders down) Line to Mix Noise (12 channels routet at 0dB) +22dBu +42dBu +22dBu > 80dB > 40dB 70dB typical + 0dB to -1dB -129dBu -107dBu -90dBu -84dBu Distortion at 1kHz Mic to Insert (+30dB Gain. +20dBu Output) Typ 0,0007% Mic to Master (+30dB Gain, +20dBu Output) < 0,009% Crosstalk at 1kHz Channel to Channel Mix to Mix Channel to Mix Fader Attenuation Switch Rejection Output Impedance Line Outputs Headphones Maximum Output Level Master Outputs Line Outputs Headphones Nominal Signal Level Microphone Line Equaliser Mono Channel Hi Pass Filter Treble Hi Mid Lo Mid Bass Equaliser Stereo Channel Treble Hi Mid Lo Mid Bass < -80dB < -80dB < -80dB > 100dB > 100dB 75Ω balanced to drive 32Ω +25dBu +22dBu +22dBu / 600Ω - 60dBu to 0dBu 0dBu 2nd order Butterworth, 80Hz +/-15dB at 12kHz (Shelv) Continuously variable 100Hz to 2kHz (1 Oct) +/-15dB Continuously variable 400Hz to 8kHz (1 Oct) +/-15dB + /-15dB at 80Hz (Shelv) +/-15dB at 12kHz (Shelv) 3kHz (1,4 Oct) +/-15dB 300Hz (1,4 Oct) +/-15dB +/-15dB at 80Hz (Shelv)

Mono Channel Stereo Channel

FX -Send, -Return Aux, Groups and Talkback

Masters, Monitor, Tape and Solo 11 RU

VENICE 160 (16 Channels) VENICE 240 (24 Channels) VENICE 320 (32 Channels) VENICE 160 VENICE 240 VENICE320 Size (mm/inch) Width 490 / 19.3 698 / 27.5 906 / 35.7 Depth 568 / 22.4 568 / 22.4 568 / 22.4 Heights 194 / 7.6 194 / 7.6 194 / 7.6 194 mm 10 mm Weight (kg/lb) 16,4 / 36.2 21,1/ 46.5 25,8 / 56.9 568 mm 75 o 50 mm

Celebrating their 30th Anniversary in 2000, the Midas name has long represented the pinnacle of live console design and engineering. Though many things have changed in the past 30 years, the fundamental principles applied by Midas remain the same: to provide the professional sound engineer with the ultimate in audio quality, flexibility and reliability. The legendary XL3 was launched in 1990 and was joined by the unique XL4 in 1995. The range has been subsequently expanded with the launch of the XL200 and XL250 consoles, making the great Midas sound accessible to a whole new market. 1999 saw the launch of the Heritage Series, the most popular analogue live sound reinforcement consoles of recent years. At the forefront of professional signal processing since their conception, Klark Teknik celebrated their first quarter-century in 1999. From their industry-standard analogue graphic equalisers to the leading edge technology of their digital units, Klark Teknik continues to be the first choice for audio professionals around the world. The year 2000 also marks the introduction of several groundbreaking new products. DDA has established a reputation for designing and manufacturing live performance and recording production consoles of outstanding quality. DDA consoles are used in some of the most prestigious studios and concert venues around the world. TELEX / EVI AUDIO GmbH 1/01/10 Printed in Germany (NIE) SUBJECT TO CHANGE WITHOUT PRIOR NOTICE (D#162032 / E#162033) MIDAS Klark Teknik Building, Walter Nash Road, Kidderminster, Worcestershire, DY11 7HJ. England. Tel: +44 (0) (1562) 741515 Fax: +44 (0) (1562)) 745371 Country Address International Distribution Telephone Fax United States of America Telex Communications Inc., 12000 Portland Avenue South, Burnsville, MN55337. +1 5075263205 +1 5075263059 Canada Telex Communications Ltd., 705 Progress Ave, Unit 10, Scarborough, Ontario M1H 2X1 +1(0)4164314975 +1(0)4164314588 Germany Telex / EVI Audio GmbH, Hirschberger Ring 45, D-94315 Straubing +49(0)94217060 +49(0)9421706357 United Kingdom Telex-Shuttlesound Ltd., 4, The Willow Centre, Willow Lane, Mitcham, Surrey, CR4 4NX. UK +44(0)2086409600 +44(0)2086407583 France EVI Audio France S. A., Parc de Courcerin, Allee Lech Walesa, Lognes, F 77185 +33(0)164800090 +33(0)160065103 Hong Kong EVI Audio Limited, Unit E&F, 21/F Luk Hop Ind. Building, 8 Luk Hop St, San Po Kong, Kowloon +852 23513628 +852 23513329 Japan EVI Audio Japan Ltd., 5-3-8 Funabashi, Setagaya-ku Tokyo, 156-0055 Tokyo-Japan +81(3)53165020 +81(3)53165031 Singapore Telex Communications (Sea) Pte Ltd., 3015A Ubi Rd 1 #05-10, Kampong Ubi, Industrial Estate, SGP 8705 Singapore +65 7468760 +65 7461206 Australia EVI Audio Aust. Pty Ltd., Unit 23, Block C, Slough Avenue, (P. O. Box 6427), Slough Business Park, 2128 Silverwater NSW +61(2)96483455 +61(2)96485585