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1 ( ) (William Butler Yeats, )... ( 95). (198) (Metropolitan School of Art) , (John Butler Yeats, ),

2 46.. ( 125).. (The Collected Poems of W. B. Yeats) 1). 17 ( 1 83). 1) (gold): 90 2) (white): 81 3) (grey): 64 4) (red): 47 5) (green): 40 6) (silver): 33 7) (black): 23 8) (blue): 21 9) (brown): 20 10) (yellow): 16 11) (purple): 12 12) (crimson): 6 13) (ivory): 5 14) (ruby): 3 15) (violet): 2 16) (scarlet): 1 1) ( )

3 47 17) (amber): 1... ( ). ( Sailing to Byzantium ). ( 84). (red) (blood) ( The Rose Tree ) (our Rose Tree) (our)

4 48,..?..,. It needs to be but watered, James Connolly replied, To make the green come out again And spread on every side, And shake the blossom from the bud To be the garden s pride. But where can we draw water, Said Pearse to Connolly, When all the wells are parched away? O plain as plain can be There s nothing but our own red blood Can make a right Rose Tree. (CP 183) (James Connolly, ) (Labour in Irish History)

5 49. (Jeffares 193) (Patrick Pearse, ) 2) (our own red blood). (our own blood) (red)... (Jeffares 194).. ( To the Rose upon the Rood of Time ) (The Rose) ,,!, ; 2) (Pearse, Patrick Henry, 1879~1916) ,. (story writer) (Conner 146).

6 50 ;,, ; ; :.,,,,. Red Rose, proud Rose, sad Rose of all my days! Come near me, while I sing the ancient ways: Cuchulain battling with the bitter tide; The Druid, grey, wood-nurtured, quiet-eyed, Who cast round Fergus dreams, and ruin untold; And thine own sadness, whereof stars, grown old In dancing silver-sandalled on the sea, Sing in their high and lonely melody. Come near, that no more blinded by man s fate, I find under the boughs of love and hate, In all poor foolish things that live a day, Eternal beauty wandering on her way. (CP 31) (Cuchulain), (Druid), (Fergus)....

7 51. (Rose) ( ) ,,, (75-76) ( The Rose of the World ). (Priam) (Paris).?,,,,. Who dreamed that beauty passes like a dream? For these red lips, with all their mournful pride,

8 52 Mournful that no new wonder may betide, Troy passed away in one high funeral gleam, And Usna s children died. (CP 36). ( ). ( To Ireland in the Coming Times ) /, ;/..., [ ], Because the red-rose-bordered hem Of her, whose history began Before God made the angelic clan, (CP 39)

9 53 [ ]... May know how my heart went with them After the red-rose-bordered hem. (CP 51) (. Her Vision in the Wood ) (a wounded man).. (his blood-bedabbled breast) (malediction). 2 (Adonis) (Diarmuid). (blood) (anemone) (Jeffares 329). (blood and mire) 3). 3) (blood and mire) ( Byzantium ) (the fury and the mire of human veins), (the dolphin s mire and blood) ( The Gyres ) (blood and mire).

10 54. (Her Vision) ( Blood and the Moon ) (Thoor Ballylee) 4). 2.,,. ( The Seven Sages ) 5) (Anglo-Irish).. (Jeffares 268)... 4) (Thoor Ballylee) (tower) (castle) (Conner 13). 5) (Goldsmith, Oliver), (Berkeley, George), (Edmund Burke), (Swift, Jonathan). ( ),. (public figures) (Conner 71). ( ). (Conner 15). ( ).. (Conner 20). ( ),. (epitaph). (Saint Patrick s Cathedral) (Dean) (Conner 178).

11 55 7..,,,.! The purity of the unclouded moon Has flung its arrowy shaft upon the floor. Seven centuries have passed and it is pure, The blood of innocence has left no stain. There, on blood-saturated ground, have stood Soldier, assassin, executioner. Whether for daily pittance or in blind fear Or out of abstract hatred, and shed blood, But could not cast a single jet thereon. Odour of blood on the ancestral stair! (CP 238) (blood of innocence). 2 (Alexandria) (beacon tower) (Babylon) (astronomical tower) (Shelley) (imagined towers). 18 (Anglo-Irish),,, (Rosenthal 306).. 68 ( Three Marching Songs ).

12 56,.,.,.,,,,. Remember all those renowned generations, Remember all that have sunk in their blood, Remember all that have died on the scaffold, Remember all that have fled, that have stood, Stood, took death like a tune On an old tambourine. (CP 333) (Rosenthal 338) ( Three Songs to the One Burden )...,.

13 57. Some had no thought of victory But had gone out to die That Ireland s mind be greater, Her heart mount up on high, And no man knows what s yet to come. But Patrick Pearse has said In every generation Must Ireland s blood be shed. From mountain to mountain ride the fierce horsemen. (CP 330) (Jeffares 409) ( Cuchulain Comforted ). (wounds and blood).,.... A man that had six mortal wounds, a man Violent and famous, strode among the dead;

14 58 Eyes stared out of the branches and were gone. Then certain Shrouds that muttered head to head Came and were gone. He leant upon a tree As though to meditate on wounds and blood. (CP 332) (Ulster) (Red Branch)... (Conner 40-41).... (olive-green), (red-brown) ( 6).. (Cuchulain), (Druid), (Fergus).

15 Yeats. 3 (1993): :.

16 60 92 (2009): ( 1) (2009): ( 2).. 3 (1996): ,, :. 26 (2006): :, Yeats Williams. 4 (1994 ): Conner, Lester I. A Yeats Dictionary: Persons and Places in the Poetry of William Butler Yeats. New York: Syracuse UP, Jeffares, A. Norman. A New Commentary On The Poems of W. B. Yeats. New York: Macmillan, Rosenthal, M. L. Running To Paradise: Yeats s Poetic Art. London: Oxford UP, Unterecker, John. A Reader s Guide to William Butler Yeats. New York: Syracuse UP, Yeats, William Butler. The Collected Poems of W. B. Yeats. Ed. Richard Finneran. New York: Macmillan, 1996.

17 61 Abstract Yoo, Byeong-Koo Colors in the poems are non-verbal communication. Colors in the poetry have symbolism and color meanings that go beyond ink. The purpose of this paper, therefore, is to investigate how Yeats chooses colors for his poems and how those colors are related to his poetic imagination. Yeats uses many colors in his poems in order to strengthen his poetic themes. The color that he uses frequently in The Collected Poems of W. B. Yeats is red. The color red is often related to the word blood in several of his poems. In Yeats s poems, the color red and blood are connected to Ireland and the Irish people s devotion to their country. In his poems Yeats tries to praise the beauty of Ireland and those people who dedicated their lives to Ireland. For example, in To the Rose upon the Rood of Time, The Rose Tree, To Ireland in the Coming Times and so on, Yeats uses the red and blood imagery associated with Ireland in order to exalt his own country and his own people just as Christians praise the red blood of Jesus Christ shed on the cross for their salvation. Finally, grasping the meaning of various colors used in his poetry will help us understand his poems more broadly. 주제어 (Key Words): (red), (blood), (Ireland), (cross), (Christ), (Jesus), (rose), (salvation)

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새천년복음화연구소 논문집 제 5 권 [특별 기고] 說敎 의 危機 와 展望 조재형 신부 한국천주교회의 새로운 복음화에 대한 小考 정치우 복음화학교 설립자, 교장 [심포지엄] 한국 초기 교회와 순교영성 한반도 평화통일과 한국 교회의 과제 교황 방한의 메시지와 복음의

새천년복음화연구소 논문집 제 5 권 [특별 기고] 說敎 의 危機 와 展望 조재형 신부 한국천주교회의 새로운 복음화에 대한 小考 정치우 복음화학교 설립자, 교장 [심포지엄] 한국 초기 교회와 순교영성 한반도 평화통일과 한국 교회의 과제 교황 방한의 메시지와 복음의 새천년복음화연구소 논문집 제 5 권 [특별기고] 說敎 의 危機 와 展望 조재형 신부 한국천주교회의 새로운 복음화에 대한 小考 정치우 복음화학교 설립자, 교장 [심포지엄] 한국 초기 교회와 순교영성 한반도 평화통일과 한국 교회의 과제 교황 방한의 메시지와 복음의 기쁨 에 나타난 한국 교회의 쇄신과 변화 복음의 기쁨 과 사회복음화 과제 새천년복음화연구소