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1 ( ) I....,....,,. 20. * 2009.

2 6..,,..,, ,,,..

3 7,....,.,,,.., , 22 (The Wanderings of Oisin)(1888) 23., (woman [who] belonged to famous pictures, to poetry, to some legendary past), (the beauty of lineament which Blake calls the highest beauty) (goddess) (Au 40).

4 8. (In the Seven woods, 1904), (The Green Helmet and other Poems, 1910), (Responsibilities, 1914) (Michael Robartes and The Dancer, 1921). II., (Cathleen Ní Houlihan) (John MacBride).. (Richard Ellmann).

5 9,...., (159-60)...,., ( Adam s Curse ),, ( The Folly Of Being Comforted ), ( Never Give All The Heart ), ( The Arrow ), ( Old Memory )..

6 10... (211) ( 2, 32-33) I said, It s certain there is no fine thing Since Adam s fall but needs much labouring. There have been lovers who thought love should be So much compounded of high courtesy That they would sigh and quote with learned looks

7 11 precedents out of beautiful old books; Yet now it seems an idle trade enough. We sat grown quiet at the name of love; We saw the last embers of daylight die, And in the trembling blue-green of the sky A moon, worn as if it had been a shell Washed by time s waters as they rose and fell About the stars and broke in days and years. I had a thought for no one s but your ears: That you were beautiful, and that I strove To love you in the old high way of love; That it had all seemed happy, and yet we d grown As weary-hearted as that hollow moon. (CP 81) ,. 2 ( No Second Troy ) 4. 1? 2.

8 12....?...?..,,.?? ( 2, 75) Why should I blame her that she filled my days With misery, or that she would of late Have taught to ignorant men most violent ways, Or hurled the little streets upon the great, Had they but courage equal to desire? What could have made her peaceful with a mind That nobleness made simple as a fire, With beauty like a tightened bow, a kind That is not natural in an age like this, Being high and solitary and most stern? Why, what could she have done, being what she is? Was there another Troy for her to burn? (CP 91)

9 13 ( Reconciliation ), ,,.... ( 2, 79) Some may have blamed you that you took away The verses that could move them on the day When, the ears being deafened, the sight of the eyes blind With lightning, you went from me, and I could find Nothing to make a song about but kings, Helmets, and swords, and half-forgotten things That were like memories of you but now We'll out, for the world lives as long ago; And while we re in our laughing, weeping fit,

10 14 Hurl helmets, crowns, and swords into the pit. But, dear, cling close to me; since you were gone, My barren thoughts have chilled me to the bone. (CP 102),,,,.. ( 58-59).,.,. 1900, ,

11 15.. ( Against Unworthy Praise )...,,. (89)...,. ( 2, 91) But here s a haughtier text, The labyrinth of her days That her own strangeness perplexed; And how what her dreaming gave Earned slander, ingratitude,

12 16 From self-same dolt and knave; Aye, and worse wrong than these. Yet she, singing upon her road, Half lion, half child, is at peace. (CP 92).,. ( The Cold Heaven ), ( That The Night Come )...,..!? ( 2, 240) And I took all the blame out of all sense and reason, Until I cried and trembled and rocked to and fro, Riddled with light. Ah! when the ghost begins to quicken, Confusion of the death-bed over, is it sent Out naked on the roads, as the books say, and stricken By the injustice of the skies for punishment? (CP 125)

13 17 50., ,.,, , 25 (Georgie Hyde-Lees).,,..

14 18 (The Abbey Theatre). 1904,,,., (Anne, Michael), ,.... (Eva Gore-Booth) (Con Markiewicz) (146). ( A

15 19 Prayer for My Daughter ).,.,.,,,. May she be granted beauty and yet not Beauty to make a stranger s eye distraught, Or hers before a looking-glass, for such, Being made beautiful over much, Consider beauty a sufficient end, Lose natural kindness and maybe The heart-revealing intimacy That chooses right, and never find a friend. (CP 188)....

16 20,,,.,?,. And may her bridegroom bring her to a house Where all s accustomed, ceremonious; For arrogance and hatred are the wares Peddled in the thoroughfares. How but in custom and in ceremony Are innocence and beauty born? Ceremony s a name for the rich horn, And custom for the spreading laurel tree. (CP 190),.... III..,,

17 21.,.,.,,,.,.., , 3.,.,

18 22,,..... Yeats. : :. 34 (2010): (2010): :. : :. 34 (2010): Ellmann, Richard. Yeats: The Man and the Masks. New York: W.W. Norton Yeats, William Butler. The Collected Poems of W. B. Yeats. London: Macmillan (CP). Autobiographies. London: Macmillan (Au)

19 23 Abstract Kim, Jooseong As Maud Gonne had been regarded as one of the most important factors in Yeats s life and literature, this study aims to analyze her images reflected in the poet s poems which were published in 1910s and 1920s. Maud Gonne is presented as a political icon of that time in Ireland in Yeats s poems. Unlike his early poems, where Maud Gonne is idealized as a goddess, a heroic figure of unbounded nobility and courage, Yeats presents her as a tragic warrior who devotes herself to political activities for violence and destruction in this period. At the same time, Yeats shows his holding back of approving Gonne s political role of female warrior. The number of poems related to Maud Gonne also is decreased when Yeats realizes that Maud Gonne devoted herself too much on the political matters. 주제어 (Key Words) (Yeats), (Maud Gonne), (political), (Ireland)

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