Asia-pacific Journal of Multimedia Services Convergent with Art, Humanities, and Sociology Vol.7, No.3, March (2017), pp. 143-150 http://dx.doi.org/10.14257/ajmahs.2017.03.73 가수배호와모창가수의노래목소리비교분석에관한연구 박상범배성근배명진 요약 가수배호는일제강점기시대의트로트가수들과달리스탠더드팝의남자가수들이보여준중후한저음을구사하였다이러한배호의노래목소리는청취자들뿐만아니라모창을하는다른가수들까지생겨나게했다본논문에서는음성분석을통하여가수배호의여러가지대표곡중돌아가는삼각지와안개낀장충단공원두음원을모창한다른가수들과배호의노래목소리를음폭리듬지속시간진폭등을변경해를통해비교연구하였다소리의요소인소리의주파수진폭그리고맵시를이용하여배호의노래목소리를연구하였다돌아가는삼각지경우톤의변화가거의없이저음과중음을말하듯이넘나들며연결이자연스럽게이루어진다안개낀장충단공원경우목소리의모든구간에깊은바이브레이션이들어가기때문에노래를듣다보면깊이를느낄수있다를이용하여비교연구한결과원음원과가장유사한노래는나훈아가모창한돌아가는삼각지이다김형중이모창한안개낀장충단공원은두번째로유사도가높게나왔다마지막으로원음원에변경을주었을경우음폭은변화가있었지만리듬지속시간진폭은변화가나타나지않았다핵심어트로트배호돌아가는삼각지안개낀장충단공원바이브레이션 Abstract Unlike singers in the Japanese colonial period, singer Bae Ho is a male singer of the stardom pop In which the voices of these peoples were raised not only in the listener but also in other singers who performed the singing. In this paper, Among the main representative songs of the two songs, "Turn Around at Samgakji" and "Foggy Jangchoongdan Stadium" were performed by the other singers who simulated the Received (January 20, 2017), Review Result (February 7, 2017) Accepted (February 14, 2017), Published (March 31, 2017) ISSN: 2383-5281 AJMAHS Copyright 2017 HSST 143
two sound sources, We studied the singing voice of Peho by using the frequency, amplitude and sound of the sound, which is the three elements of the sound. In the case of the "Turn Around at Samgakji", the change of the tone If you are listening to a song because you have a deep transition in all of the voices in the case of the "Foggy Jangchoongdan Stadium", you will come to the bass and mid- The result of comparative study using MOS TEST shows that the song that is most similar to the sound source is the returning song that the napuna did. The song of the fog that the kim hyon jun Lastly, when we changed the circular sound source, the umpok changed, but the rhythm, duration, and amplitude did not change. Keywords: Trot, Bae Ho, Turn Around at Samgakji, Foggy Jangchoongdan Stadium, Vibration 서론 트롯 이란단어는영어로빠르게걷다 바쁜걸음으로뛰다등을뜻하며연주용어로 굳어진것은 년이후미국과영국등에서템포의래그타임곡이나재즈템포의분의박자곡 으로추는사교댄스의스템또는그연주리듬을일컫는폭스트롯 이유행하면서부터이다 한국에서트롯은 년대부터다시발전하기시작한뒤 년대에이르러폭스트롯의분 의박자를기본으로하되강약의박자를넣고독특한꺾기창법을구사하는독자적인가요형식 으로완성된다 이때완성된트롯이지금의트롯이다 년대전반스탠더드팝이새로운주 류로등극함으로써쇠락했던트로트가 년가수이미자가부른동백아가씨로새롭게인기를얻 으면서부활하였다 가수배호가부른초기의대표곡은두메산골이트로트일뿐굿바이 차디찬키스등초기 의작품은재즈나라틴음악등이섞인스탠더드팝계열의작품이었다 그의가창은일제강점기 부터 년대까지의트로트가수들과다르다스탠더드팝의남자가수들이보여준중후한저음을 그특유의바이브레이션으로강조하고절정부에서애절한고음을구사하는방식을사용했다또한 가수오기택과남일해에서시작하여남진으로이어지는 년대식의새로운남성트로트창법의 중심에서있다배호는인기절정이던 세에타계함으로써요절가수신드롬을불러일으키며오 랫동안그를모창 한가짜배호음반들이생겨난긴인기를누린가수이다 가수배호의 노래를들어보면목젖스치는부드러움과호소력이느껴진다이유는저음과중음을넘나들며노 래를한다또한발성특징은노래에바이브레이션을깊게넣음으로써청취자들이동조감을느끼게 해주어친근감있게다가간다이러한배호의노래목소리는청취자들뿐만아니라모창 하는 가수들까지생겨나게했다 따라서본논문에서는음성분석을통하여가수배호의여러가지대표곡중돌아가는삼각지 안개낀장충단공원의음원을모창 한다른가수들과배호의노래목소리를음폭리듬지 속시간진폭등을변경하여비교연구하였다논문의구성은다음과같다제장에서는소리의 요소를이용한배호의노래목소리특성을연구하였고제장에서는목소리특성의실험및결과 마지막으로제장에서결론을맺는다 144 Copyright 2017 HSST
Asia-pacific Journal of Multimedia Services Convergent with Art, Humanities, and Sociology Vol.7, No.3, March (2017) 배호의노래목소리특성 소리의요소 기존소리의요소는소리의주파수진폭그리고맵시이며추가적으로소리의지속시간으로분류한다주파수는전파가공간을이동할때초동안진동하는횟수이며음파의진동수에의해결정된다진폭은진동이나소리의떨림정도를말하며주기적인진동이있을때중심으로부터최대로움직인거리혹은변위단위시간동안이동하는에너지양을말한다지속시간은같은크기음일지라도지속시간이다르면음파의파형이다르게나타나며소리가다르게들리는특징을가지고있다 배호의노래목소리 그림소리의요소 소리의요소를이용하여연구한돌아가는삼각지를부른배호의목소리특성은말하듯이노래를하며톤의변화가거의없이저음과중음을말하듯이넘나들면서연결이자연스럽게이루어진다목소리가부드럽게느껴지는이유는보통남성들이말하는성대톤인사이를배호는말하듯이노래를한다배호의노래목소리를모창한가수박진도는노래목소리가유사하나차이점은중간중간사투리같은강세가들어간다안개낀장충단공원은돌아가는삼각지와함께널리알려진곡중하나이다안개낀장충단공원을들어보면노래의저음중음고음모든구간에깊은바이브레이션이들어가기때문에노래를듣다보면깊이를느낄수있으며심금을울리는듯하다또한노래의강약처리 ISSN: 2383-5281 AJMAHS Copyright 2017 HSST 145
가잘이루어져자연스럽게들린다 실험및결과 배호의노래돌아가는삼각지를들어보면저음의부드러움과호소력을구사하는목소리특성이나타난다음원은돌아가는삼각지의절중한소절인한숨짓는외로운사나이가안개낀장충단공원의절중한소절인다시한번어루만지며를가지고평가를진행하였다배호가부른돌아가는삼각지안개낀장충단공원의음원한소절그리고진폭음폭리듬지속시간을변경한것과다른모창가수가부를때느끼는저음의부드러움총가지를비교분석하여를통해나타냈다는남녀구별없이명을대상으로하였으며원음원점을기준으로하여각각평균을나타내었다 그림 돌아가는삼각지의한소절한숨짓는외로운사나이가 그림 안개낀장충단공원한소절다시한번어루만지며 146 Copyright 2017 HSST
Asia-pacific Journal of Multimedia Services Convergent with Art, Humanities, and Sociology Vol.7, No.3, March (2017) 그림돌아가는삼각지의한소절한숨짓는외로운사나이가비교스펙트럼 그림안개낀장충단공원한소절다시한번어루만지며 비교스펙트럼 음성파일은샘플링후양자화를하였다이용된소프트웨어로는을사용하였다그림은돌아가는삼각지의한소절인한숨짓는외로운사나이가의원음원이다그림는안개낀장충단공원의한소절인다시한번어루만지며의원음원이다위두가지원음원을소리의음폭리듬지속시간그리고진폭을변경하여비교분석하였다또한다른모창가수가부른음원과비교분석하였다그림을보듯이배호가부른한숨짓는외로운사나이가가나훈아가부른음원보다이낮게나온다그림도마찬가지로가수김형중이부른노래보다배호가부른노래가좀더저음에서부드럽게나타난다 ISSN: 2383-5281 AJMAHS Copyright 2017 HSST 147
그림돌아가는삼각지의한소절한숨짓는외로운사나이가원음원변경스펙트럼 그림안개낀장충단공원한소절다시한번어루만지며원음원변경스펙트럼 그림는돌아가는삼각지의한소절인한숨짓는외로운사나이가의원음원을음폭리듬지속시간진폭을변경한스펙트럼이다그림은안개낀장충단공원의한소절인다시한번어루만지며의원음원을변경한스펙트럼이다위그림은원음에서주파수차이가두드러지지않지만음폭은변경한경우차이가많이났다 148 Copyright 2017 HSST
표각음원별원음과유사도 Asia-pacific Journal of Multimedia Services Convergent with Art, Humanities, and Sociology Vol.7, No.3, March (2017) 표은돌아가는삼각지안개낀장충단공원을각음원별비교하여평균을나타낸결과이다두가지원음원을기준점으로나훈아가부른돌아가는삼각지김형중이부른안개낀장충단공원음원의음폭변화음원의리듬변화음원의지속시간변화음원의진폭변화나타내었다원음원과가장유사하게나온것은나훈아가부른돌아가는삼각지이다그다음으로유사도를보여준것은김형중이부른안개낀장충단공원이다두음원의음폭을변경했을때는평균이상점이나왔다두음원의리듬을변경했을때의저음부드러움과호소력정도평가를한결과으로나타났다소리의지속시간을변경한결과점가나타났다마지막으로두음원의진폭을변경한결과점이나왔다위를진행한결과소리의진폭을변경한경우소리가작아질수록높은것보다저음의부드러움과호소력을더느낄수있다응답했으며음폭을변경한경우원음원보다높은음으로구사되기때문에가장저조한평균을얻었다소리의리듬을변경한경우흥겹고경쾌하나저음의부드러움이나호소력을평균이상으로느낄수없었다소리의지속시간을변경한경우기존음원보다배느리게재생되어저음이더욱부각되어가장높은평균을얻었다 결론 일반적으로트로트는영어에서옮겨온말로그어원은빠르게걷다혹은바쁜걸음으로뛰다등을뜻한다트로트가수인배호는년대까지의트로트가수들과는달리스탠더드팝의남자가수들이보여준중후한저음을냈다배호는노래목소리의특유한바이브레이션을강조하면서절정부에서애절한고음을구사하는방식을사용했다이러한배호의노래목소리는청취자들뿐만아니라모창을하는다른가수들까지생겨나게했다본논문에서는음성분석을통하여가수배호의여러가지대표곡중돌아가는삼각지안개낀장충단공원의음원을모창한다른가수들과노래목소리를음폭리듬지속시간진폭등을변경하여를진행해비교연구하였다그결과두가지원음원을기준으로나훈아가부른돌아가는삼각지가가장원음원과비슷 ISSN: 2383-5281 AJMAHS Copyright 2017 HSST 149
하게나왔다다음으로김형중이부른안개낀장충단공원이유사하게나왔다음폭을변경한경우소리의진폭이기존음원보다저음의부드러움이다소부각되지않았다리듬을변경한경우노래전체가빠르게진행되어배호특유의바이브레이션이나저음의부드러움을느낄수없었다지속시간을변경한경우느리게진행되어좀더저음이나바이브레이션이잘나타나서부드러우면서호소력있게느껴졌다마지막으로진폭을변경한경우원음원보다소리가커져기존음원보다호소력있게들리지않았다 References [1] Young-Mee Lee, Trends and Issues in Trot Controversies, The Criticism and Theory Society of Korea. Criticism and Theory. (2008), Vo1.13, No.1, pp.333-68. [2] Chan-Joong Jung, Myung-Jin Bae, A Study on a Vocal Characteristic of Lee Mi-Ja's Song, The Acoustic Society of Korea, Vol.28, No.1, pp.41-42, (2009) [3] Jeong-Ho Choi, Chan-Joong Jung, Myung-Jin Bae, A Study on the Reason Why are Attracted to the Trot, The Acoustic Society of Korea, Vol.29, No.2, pp.414-415, (2010) [4] Jae-Yeon Yoo, A Study of Acoustic Analyses of Singer's Voice, Graduate School, Taegu University, doctorate thesis, December (2013) [5] Woo-Seok Yang A Study on Historical Transition of Korean Trot Music, Music and ethnicity, Ethnic Music Society, Vol.30, No.0, pp.411-432, (2005) [6] Seong-Geon Bae, Myung-Jin Bae A Study on the effect of heartbeat on the Trot, The Acoustic Society of Korea, pp.162-163, November (2011) [7] Hyung-Woo Park, Sang-Hwi Jee, Myung-Jin Bae, Study on the Confidence-Parameter Estimation through Speech Signal, Asia-pacific Journal of Multimedia Services Convergent witth Art, Humanities, and Sociology, Vol.6, No.7, July (2016), pp.101-108 [9] http://terms.naver.com/bae Ho/, Encyclopedia of Korean Culture/, The Academy of Korean Studies/, October (2003) [8] https://ko.wikipedia.org/wiki/bae Ho/, February 15 (2017) [10] https://ko.wikipedia.org/wiki/turn Around at Samgakji/, February 15 (2017) 150 Copyright 2017 HSST