Analytical Interpretation of Cat on a Hot Tin Roof 1 2 3 40 Psychoanalysis 2013;24:39-49



Similar documents
ๆญฏkjmh2004v13n1.PDF

ๆญฏM PDF

<C7D1B9CEC1B7BEEEB9AEC7D03631C1FD28C3D6C1BE292E687770>

( ) ) ( )3) ( ) ( ) ( ) 4) 1915 ( ) ( ) ) 3) 4) 285

KIM Sook Young : Lee Jungsook, a Korean Independence Activist and a Nurse during the ์ด๋ฉฐ ๋‚˜๋ฆ„ ์˜์‹์ด ๊นจ์–ด์žˆ๋˜ ์ง€์‹์ธ๋“ค์ด๋ผ ํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค. ๊ต์œก์„ ๋ฐ›์€ ๊ฐ„ ํ˜ธ๋ถ€๋“ค์€ ํ™˜์ž๋ฅผ ๋Œ๋ณด๋Š” ๊ทธ๋“ค์˜ ์ง์—…์  ์†Œ

141(26) () ( ( ) () () () ) 2) 1932 ()()3) 2 1) ( ) ( ) () () () 4) ( ) 5) 6) ) ) ( ) () 42 () )

<5B D B3E220C1A634B1C720C1A632C8A320B3EDB9AEC1F628C3D6C1BE292E687770>

,,,,,, ),,, (Euripides) 2),, (Seneca, LA) 3), 1) )

02์–‘์€์šฉ

๋ชฉ ์ฐจ 1. ์„œ๋ก  1.1. ๋ฌธ์ œ ์ œ๊ธฐ ๋ฐ ์—ฐ๊ตฌ ๋ชฉ์  1.2. ์—ฐ๊ตฌ ๋Œ€์ƒ ๋ฐ ์—ฐ๊ตฌ ๋ฐฉ๋ฒ• 2. ๊ต์–‘ ๋‹คํ ํ”„๋กœ๊ทธ๋žจ ์ดํ•ด 3. ๋กค๋ž‘๋ฐ”๋ฅดํŠธ ์‹ ํ™”๋ก ์— ๋Œ€ํ•œ ์ดํ•ด 3.1. ๊ธฐํ˜ธํ•™๊ณผ ๊ทธ ์— ๋Œ€ํ•˜์—ฌ 3.2. ๋กค๋ž‘๋ฐ”๋ฅดํŠธ ์‹ ํ™” ์ด๋ก  ๊ณ ์ฐฐ 4. ๋ถ„์„ ๋‚ด์šฉ 4.1. ์„ธ๊ณ„ํ…Œ๋งˆ๊ธฐํ–‰ ์— ๋Œ€ํ•œ ๊ธฐ

๋ฐ• ๋ฏผ ์ฒ  1. ๊ณต๊ฒฉ์„ฑ aggression 4

Rheu-suppl hwp

ํ‡ด์ขˆ์ €๋„36ํ˜ธ-4์ฐจ-T.ps, page Preflight (2)

Journal of Educational Innovation Research 2018, Vol. 28, No. 1, pp DOI: * A Analysis of

216 ๋™๋ถ์•„์—ญ์‚ฌ๋…ผ์ด 41ํ˜ธ ์ธ๊ณผ ๊ฒฝ๊ณ„๊ณต๊ฐ„์€ ์„ค ์ž๋ฆฌ๋ฅผ ์žƒ๊ณ  ๋ฐฐ์ œ๋˜๊ณ  ๋ง์•˜๋‹ค. ๋ณธ๊ณ ์—์„œ๋Š” ๊ทผ์„ธ ๋Œ€๋งˆ๋„์— ๋Œ€ํ•œ ํ•œ๊ตญ๊ณผ ์ผ๋ณธ์˜ ์ธ์‹์„ ์ฃผ๋กœ ์˜ํ† ์™€ ๊ฒฝ๊ณ„์ธ ์‹์„ ์ค‘์‹ฌ์œผ๋กœ ๊ณ ์ฐฐํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ด ์‹œ๊ธฐ ๋Œ€๋งˆ๋„์— ๋Œ€ํ•œ ํ•œ์ผ ์–‘๊ตญ์˜ ์ธ์‹์„ ์‚ดํŽด๋ณผ ๋•Œ๋Š” ๊ทผ๋Œ€ ๊ตญ๋ฏผ๊ตญ๊ฐ€์  ๊ด€์ ์—์„œ ํƒˆํ”ผํ• 


<C7D1B9CEC1B7BEEEB9AEC7D C3D6C1BE295F31392EB9E8C8A3B3B22E687770>

00ร€รขยนยฐ

00ร€รขยนยฐ

ํ˜„๋Œ€์˜ํ™”์—ฐ๊ตฌ

7 1 ( 12 ) ( 1912 ) 4. 3) ( ) 1 3 1, ) ( ), ( ),. 5) ( ) ). ( ). 6). ( ). ( ).

์žฅ์–‘์ˆ˜

12 CO N T E N T S

11 CO N T E N T S

์•„ํƒœ์—ฐ๊ตฌ(์†ก์„์›) hwp

,......

135 Jeong Ji-yeon ์‹ฌํ–ฅ์‚ฌ ๊ทน๋ฝ์ „ ํ˜‘์ € ์•„๋ฏธํƒ€๋ถˆ์˜ ์ œ์ž‘๊ธฐ๋ฒ•์— ๊ด€ํ•œ ์—ฐ๊ตฌ ๋จธ๋ฆฌ๋ง ํ˜‘์ €๋ถˆ์ƒ( ๅคพ ็ดต ไฝ› ๅƒ )์ด๋ผ๋Š” ๊ฒƒ์€ ๋ถˆ์ƒ์„ ์ œ์ž‘ํ•˜๋Š” ๊ธฐ๋ฒ•์˜ ํ•˜๋‚˜๋กœ์จ ์‚ผ๋ฒ ( ้บป ), ๋ชจ์‹œ( ่‹ง ), ๊ฐˆํฌ( ่‘› ) ๋“ฑ์˜ ์ธํ”ผ์„ฌ์œ ( ้ญ ็šฎ ็บ– ็ถญ )์™€ ์น ( ๆผ† )์„ ์ฃผ๋œ ์žฌ๋ฃŒ

01....=361.


2010ํฌ๋ง์• ๋‰ด์–ผ

<BFACBCBCC0C7BBE7C7D E687770>

ยธรžยดยบยพรณ-ร€ร›ยพรท5

Kor. J. Aesthet. Cosmetol., ๋ผ์ดํ”„์Šคํƒ€์ผ์€ ๊ฐœ์ธ ์ƒํ™œ์— ์žˆ์–ด ์‹ฌ๋ฆฌ์  ๋ฌธํ™”์  ์‚ฌํšŒ์  ๋ชจ๋“  ์ธก๋ฉด์˜ ์ƒํ™œ๋ฐฉ์‹๊ณผ ์ฐจ์ด ์ „์ฒด๋ฅผ ๋งํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ๋ผ์ดํ”„์Šค ํƒ€์ผ์€ ์‚ฌ๋žŒ์˜ ๋‚ด์žฌ๋œ ๊ฐ€์น˜๊ด€์ด๋‚˜ ์š•๊ตฌ, ํ–‰๋™ ๋ณ€ํ™”๋ฅผ ํŒŒ์•…ํ•˜์—ฌ ์†Œ๋น„ํ–‰๋™๊ณผ ์‹ฌ๋ฆฌ๋ฅผ ์ถ”์ธกํ•  ์ˆ˜ ์žˆ๊ณ , ๊ฐœ์ธ์˜

์ง€๋‚œ 2009๋…„ 11์›” ์• ํ”Œ์˜ ์•„์ดํฐ ์ถœ์‹œ๋กœ ๋Œ€์ค‘ํ™”์— ์ ‘์–ด๋“  ๊ตญ๋‚ด ์Šค๋งˆํŠธํฐ์˜ ์—ญ์‚ฌ๋Š” 4๋…„ ๋งŒ์— โ€˜1์ธ 1์Šค๋งˆํŠธํฐ ์‹œ๋Œ€โ€™๋ฅผ ๋ˆˆ์•ž์— ๋‘๋ฉด์„œ ๋ชจ๋ฐ”์ผ ์ตœ๊ฐ•๊ตญ์˜ ๊ฟˆ์„ ์‹คํ˜„ํ•ด ๊ฐ€๊ณ  ์žˆ๋‹ค

- 2 -

<313020C1A4BFECBAC034332E687770>

Hi-MO ์• ํ”„ํ„ฐ์ผ€์–ด ์‹œ์Šคํ…œ ํŽธ 5. ์˜ค๋น„๋งฅ์ฃผ ์นด์Šค ์นด์Šค ํ›„๋ ˆ์‰ฌ ํ…Œ์ด๋ธ” ๋งฅ์ฃผ๋Š” ์ฒœ์—ฐ์‹ํ’ˆ์ด๋‹ค ํŽธ ์ฒ˜์Œ ์Šคํƒ€์ผ ๊ทธ๋Œ€๋กœ, ๋ถ€ํƒ ์ผ€์–ด~ Hi-MO ์• ํ”„ํ„ฐ์ผ€์–ด ์‹œ์Šคํ…œ ์ง€์†์ ์ธ ๋ชจ๋ฐœ ๊ด€๋ฆฌ๋กœ ๋๊นŒ์ง€ ์Šคํƒ€์ผ์ด ์œ ์ง€๋˜๋„๋ก ๋…๋ณด์ ์ด๋‹ค! ๊ทผ๋ฐ ๊ทธ๊ฑฐ ์•„์„ธ์š”? ๋งฅ์ฃผ๋„ ์ธ๊ณต์ฒจ๊ฐ€๋ฌผ์ด

2 ๋™๋ถ์•„์—ญ์‚ฌ๋…ผ์ด 50ํ˜ธ ๊ตฌ๊ถŒํ˜‘์ •์œผ๋กœ ํ•ด๊ฒฐ๋๋‹ค ๋Š” ์ผ๋ณธ ์ •๋ถ€์˜ ์ฃผ์žฅ์— ๋Œ€ํ•ด, ์ผ๋ณธ๊ตฐ ์œ„์•ˆ๋ถ€ ๋ฌธ์ œ๋Š” ์ผ ๋ณธ ์ •๋ถ€ ๊ตฐ ๋“ฑ ๊ตญ๊ฐ€๊ถŒ๋ ฅ์ด ๊ด€์—ฌํ•œ ๋ฐ˜์ธ๋„์  ๋ถˆ๋ฒ•ํ–‰์œ„์ด๋ฏ€๋กœ ํ•œ์ผ์ฒญ๊ตฌ๊ถŒํ˜‘์ • ์— ์˜ํ•ด ํ•ด๊ฒฐ๋œ ๊ฒƒ์œผ๋กœ ๋ณผ ์ˆ˜ ์—†๋‹ค ๋Š” ๊ณต์‹ ์ž…์žฅ์„ ๋ฐํ˜”๋‹ค. ๋˜ํ•œ 2011๋…„ 8์›” ํ—Œ ๋ฒ•์žฌํŒ์†Œ๋Š”

DBPIA-NURIMEDIA

KISEP Original Articles J Korean Psychoanalytic Society Vol. 10, No. 1, page 121~140, ๋ญ‰ํฌ์˜์‚ถ๊ณผ์ž‘ํ’ˆ์„ธ๊ณ„์—๋Œ€ํ•œ๋ถ„์„์ ๊ณ ์ฐฐ * ๏งก็‚ณ้ƒ A Psychoanalytical Stud

09 ยฝร…ร‡รน2ยฟรนรˆยฃb63ยปรรถรยคยธยปรƒร–รยพลก

<B3EDB9AEC1FD5F3235C1FD2E687770>

Journal of Educational Innovation Research 2018, Vol. 28, No. 4, pp DOI: * A S

DBPIA-NURIMEDIA

(JH)

328 ้€€ๆบชๅญธ๊ณผ ้Ÿ“ๅœ‹ๆ–‡ๅŒ– ็ฌฌ43่™Ÿ ๋‹ค์Œ๊ณผ ๊ฐ™์€ 3๊ฐ€์ง€ ์ธก๋ฉด์„ ์ฃผ๋ชฉํ•˜์—ฌ ์„œ์ˆ ํ•˜์˜€๋‹ค. ์šฐ์„  ์ •๋„์ „์€ ๊ก”์ฃผ๋ก€๊ก•์—์„œ ์ •์น˜์˜ ๊ณต๊ณต์„ฑ ์ธก๋ฉด์„ ์ฃผ๋ชฉํ•œ ๊ฒƒ์œผ๋กœ ํŒŒ์•…ํ•˜์˜€๋‹ค. ์ด๋Š” ๊ตญ๊ฐ€, ์ •์น˜, ๊ถŒ๋ ฅ๊ณผ ๊ฐ™์€ ๊ฒƒ์ด ์‚ฌ์ ์ธ ์†Œ์œ ๋ฌผ์ด ์•„๋‹ˆ๋ผ ๊ณต์ ์ธ ๊ฒƒ์ž„์„ ๊ฐ•์กฐํ•˜๋Š” ๊ฒƒ์œผ๋กœ ์กฐ์„ ์—์„œ ํ‘œ๋ฐฉํ•˜๋Š” ์œ 

IKC43_06.hwp

04 ํ˜•์‚ฌํŒ๋ก€์—ฐ๊ตฌ hwp

11ยนรšยดรถยฑร”

1

DBPIA-NURIMEDIA

DBPIA-NURIMEDIA

300 ๊ตฌ๋ณดํ•™๋ณด 12์ง‘. 1),,.,,, TV,,.,,,,,,..,...,....,... (recall). 2) 1) ์–‘์›…, ๊น€์ถฉํ˜„, ๊น€ํƒœ์›, ๊ด‘๊ณ ํ‘œํ˜„ ์ˆ˜์‚ฌ๋ฒ•์— ๋”ฐ๋ฅธ ์ดํ•ด์™€ ์„ ํ˜ธ ํšจ๊ณผ: ๋ธŒ๋žœ๋“œ ์ธ์ง€๋„์™€ ์˜๋ฏธ๊ณ ์ •์˜ ์˜ํ–ฅ์„ ์ค‘์‹ฌ์œผ๋กœ, ๊ด‘๊ณ ํ•™์—ฐ๊ตฌ 18๊ถŒ 2ํ˜ธ, 2007 ์—ฌ๋ฆ„

09 ยฝร…ร‡รน3ยฟรนb63ยปรรถรƒร–รยพFFลก

Lumbar spine

2 ๅคง ้Ÿ“ ๆ”ฟ ๆฒป ๅญธ ๆœƒ ๅ ฑ ( ็ฌฌ 18 ่ผฏ 1 ่™Ÿ ) ๊ณผ์˜ ์†Œํ†ต๋ถ€์žฌ ์†์— ์—ฌ๋‹น๊ณผ ๊ตญํšŒ๋„ ๋ฌด์‹œํ•œ ์ผ๋ฐฉ์ ์ธ ๋ฐ€์–ด๋ถ™์ด๊ธฐ์‹ ๊ตญ์ •์šด์˜์„ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๋‹ค. ๋ฏผ์ฃผ์ฃผ์˜๊ฐ€ ๋ฌด์—‡์ธ์ง€ ๋‹ค์–‘ํ•˜๊ฒŒ ๋…ผ์˜๋  ์ˆ˜ ์žˆ์ง€๋งŒ, ๋ฏผ์ฃผ์ฃผ์˜ ์šด์˜์— ํ•„์š”ํ•œ ์ตœ์†Œํ•œ์˜ ์ œ๋„์  ์กฐ๊ฑด์€ ๊ถŒ๋ ฅ ํ–‰์‚ฌ์—์„œ ๊ตญ๊ฐ€๊ธฐ๊ด€ ์‚ฌ์ด์˜


hwp

01๊น€๊ฒฝํšŒ-1์ฐจ์ˆ˜์ •.hwp

1. ์„œ๋ก  1.1 ์—ฐ๊ตฌ์˜ ๋ฐฐ๊ฒฝ๊ณผ ๋ชฉ์  ํ˜„์‹œ๋Œ€์˜ ์ธ๊ฐ„๋“ค์€ ๋„˜์ณ๋‚˜๋Š” ๋ฏธ๋””์–ด์˜ ์˜ํ–ฅ ์†์—์„œ ์‚ด๊ณ  ์žˆ๋‹ค. ํŠนํžˆ ์˜์ƒ๋งค์ฒด์ธ ๊ฐ€ ๋Œ€์ค‘๋ฌธํ™”๋กœ์จ ์ ‘ ๊ทผํ•˜๋Š” ํž˜์€ ์—ฌํƒ€ ๋‹ค๋ฅธ ๋งค์ฒด์˜ ์˜ํ–ฅ๋ ฅ๋ณด๋‹ค ๊ฐ•ํ•˜๋ฉฐ, ๊ทธ ์ค‘์—์„œ๋„ SF๋Š” ๋น ๋ฅด๊ฒŒ ๋ณ€ํ™”ํ•˜๋Š” ์ด ๋ฏธ๋ž˜ ์— ๊ฐ€์ ธ์˜ฌ ์˜ํ–ฅ์— ๋Œ€ํ•œ ์ธ๊ฐ„์˜ ๊ถ๊ธˆ์ฆ์„


212 ์˜์ƒ๊ธฐ์ˆ ์—ฐ๊ตฌ ์„ธ๋Œ€๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ์ด ๋‰ด ๋‰ด์›จ์ด๋ธŒ ์„ธ๋Œ€๋ž€ 60๋…„๋Œ€ ์ผ๋ณธ์˜ ์˜ํ™”์‚ฌ์—์„œ ๊ณผ๊ฑฐ์„ธ๋Œ€์™€๋Š” ๋‹จ ์ ˆ๋œ ๋‰ด์›จ์ด๋ธŒ ์˜ ํ๋ฆ„์ด ์žˆ์—ˆ๋Š”๋ฐ ์˜ค๋Š˜๋‚ ์˜ ๋‰ด์›จ์ด๋ธŒ ์„ธ๋Œ€๋ฅผ ๋›ฐ์–ด๋„˜๋Š”๋‹ค๋Š” ์˜๋ฏธ์—์„œ ๋‰ด ๋‰ด์›จ์ด๋ธŒ ์„ธ๋Œ€๋กœ ๋ถˆ๋ฆฐ๋‹ค. ๋‰ด ๋‰ด์›จ์ด๋ธŒ ์„ธ๋Œ€ ๊ฐ๋…๋“ค์˜ ๊ฒฝํ–ฅ์€ ๊ฐœ์ธ์ ์ด๊ณ  ์ž์œ ๋ถ„

<313220BCD5BFB5B9CCC1B6BFF8C0CF2E687770>

Page 2 of 5 ์•„๋‹ˆ๋‹ค means to not be, and is therefore the opposite of ์ด๋‹ค. While English simply turns words like to be or to exist negative by adding not,


04 ํ˜•์‚ฌํŒ๋ก€์—ฐ๊ตฌ hwp

ํ•™์Šต์˜์—ญ์˜ Taxonomy์— ๊ธฐ์ดˆํ•œ CD-ROM Title์˜ ํšจ๊ณผ๋ถ„์„

Journal of Educational Innovation Research 2016, Vol. 26, No. 1, pp.1-19 DOI: *,..,,,.,.,,,,.,,,,, ( )

์žก์•˜๋‹ค. ์ž„์ง„์™œ๋ž€์œผ๋กœ ๊ถŒ์œ„๊ฐ€ ์‹ค์ถ”๋˜์—ˆ๋˜ ์„ ์กฐ๋Š” ๋ช…๊ตฐ์˜ ์กด์žฌ๋ฅผ ๊ตฌ์„ธ ์ฃผ ์ด์ž ็Ž‹ๆฌŠ์„ ์ง€์ผœ์ฃผ๋Š” ๋ณดํ˜ธ์ž ๋กœ ์ธ์‹ํ–ˆ๋‹ค. ์„ ์กฐ๋Š” ๊ทธ ๊ฐ™์€ ์ธ ์‹์„ ๋ฐ”ํƒ•์œผ๋กœ ๆ‰ˆ่–ๅŠŸ่‡ฃ๋“ค์„ ๋†’์ด ํ‰๊ฐ€ํ•˜๊ณ  ๅฎฃๆญฆๅŠŸ่‡ฃ๋“ค์„ ํ‰๊ฐ€ ์ ˆํ•˜ํ•จ์œผ๋กœ์จ ์ž์‹ ์˜ ๊ถŒ์œ„๋ฅผ ์œ ์ง€ํ•˜๋ ค๊ณ  ํ–ˆ๋‹ค. ์ด์ œ ๋ช…์— ๋Œ€ํ•œ ์ˆญ ์•™๊ณผ ์ถฉ์„ฑ์€

DBPIA-NURIMEDIA

1

์šฐ๋ฆฌ๋“ค์ด ์ผ๋ฐ˜์ ์œผ๋กœ ๊ธฐํ˜ธ

?

์ด์— ์ด๋ ‡๊ฒŒ ๋˜์—ˆ๋‚˜๋‹ˆ ์ฃผ๊ป˜์„œ ๊ทธ๋“ค์—๊ฒŒ ์ผ๋Ÿฌ ์ด๋ฅด์‹œ๋˜, ์ผ์–ด๋‚˜ ๋‚ด๊ฒŒ๋กœ ๋‚˜์•„์™€์„œ ๋„ˆํฌ ์†์„ ๋‚ด ์˜†๊ตฌ๋ฆฌ์— ๋„ฃ์–ด ๋ณด๊ณ , ๋˜ ๋‚ด ์†๊ณผ ๋‚ด ๋ฐœ์˜ ๋ชป ์ž๊ตญ์„ ๋งŒ์ ธ ๋ณด์•„ ๋‚ด๊ฐ€ ์ด์Šค๋ผ์—˜์˜ ํ•˜๋‚˜๋‹˜์ด์š”, ์˜จ ๋•…์˜ ํ•˜๋‚˜๋‹˜์ด๋ฉฐ, ์„ธ์ƒ์˜ ์ฃ„๋ฅผ ์œ„ํ•˜์—ฌ ์ฃฝ์ž„์„ ๋‹นํ•˜์˜€์Œ์„ ์•Œ์ง€์–ด๋‹ค. ๊ทธ๋“ค์ด ์ด๋ฅผ ํ–‰

<BFA9BAD02DB0A1BBF3B1A4B0ED28C0CCBCF6B9FC2920B3BBC1F62E706466>

< C7CFB9DDB1E22028C6EDC1FD292E687770>

J Korean Neuropsychiatr Assoc 2014;53(2):61-71 ๋ณดํ—˜ํšŒ์‚ฌ์˜ ํ•ฉ๋ฆฌ์  ์„ ํƒ์€ ๋ฌด์—‡์ด๊ฒŒ ๋˜๋Š”๊ฐ€ ๊ทธ๋ฆฌ๊ณ  ๊ทธ ํ•ฉ๋ฆฌ ์„ฑ์„ ๋„˜์–ด์„ค ์ˆ˜ ์žˆ๋Š” ์›๋ฆฌ๋Š” ๋ฌด์—‡์ด์–ด์•ผ ํ•˜๋Š”๊ฐ€ ๋ณดํ—˜์„ ์œ ์ง€ํ•˜๋Š” ๋˜ ๋‹ค๋ฅธ ์š”์†Œ๋Š” ์‚ฌํšŒ์  ์—ฐ๋Œ€ - ์ด๋‹ค ์‚ฌํšŒ์  ์—ฐ๋Œ€๋Š” ํ•ฉ๋ฆฌ์„ฑ๊ณผ ๋Œ€์ฒ™

<30312DB1E8C7F6C8AD2E687770>

Output file

~41-๊ธฐ์ˆ 2-์ถฉ์ ์ง€๋ฐ˜

๋Œ€ํ•œํ•œ์˜ํ•™์›์ „ํ•™ํšŒ์ง€23๊ถŒ3ํ˜ธ(์ตœ์ข…)_ hwp

Microsoft Word doc

(

๋ฏผ์†์ง€_์ด๊ฑด์šฑT ์ตœ์ข…

Journal of Educational Innovation Research 2017, Vol. 27, No. 2, pp DOI: : Researc

04_์ด๊ทผ์›_21~27.hwp

ๆญฏkjmh2004v13n1.PDF

139~144 ยฟร€ยฐรธยพร ร„ยง

03-์„œ์—ฐ์˜ฅ.hwp

00ํ‘œ์ง€

๊ตฌ์˜ ์ค‘์š”์„ฑ์ด ์ธ์‹๋˜๊ธฐ ์‹œ์ž‘ํ•˜์˜€๋‹ค(Kang & Lee, 2001). ์ด์— ๋Œ€ํ•œ ๊ฒฐ๊ณผ๋กœ 1990 ๋…„๋Œ€ ์ดํ›„ ๊ตญ๋‚ด์—์„œ๋„ ๋งŒ์„ฑ์‹ ๋ถ€์ „ํ™˜์ž์˜ ํ˜ˆ์•กํˆฌ์„๊ฒฝํ—˜ (Shin, 1997), ์‹ ์žฅ์ด์‹ ์ฒดํ—˜(Lee, 1998) ๊ณผ ๋งŒ์„ฑ์งˆํ™˜์ž์˜ ๊ฐ•์ธ์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ (Ko, 1999)๋“ฑ ๋งŒ์„ฑ์งˆํ™˜

232 ๋„์‹œํ–‰์ •ํ•™๋ณด ์ œ25์ง‘ ์ œ4ํ˜ธ I. ์„œ ๋ก  1. ์—ฐ๊ตฌ์˜ ๋ฐฐ๊ฒฝ ๋ฐ ๋ชฉ์  ์‚ฌํšŒ๊ฐ€ ๋‹ค์›ํ™”๋ ์ˆ˜๋ก ๋‹ค์–‘์„ฑ๊ณผ ๋ณตํ•ฉ์„ฑ์˜ ์š”์†Œ๋Š” ์ฆ๊ฐ€ํ•˜๊ฒŒ ๋œ๋‹ค. ๋„์‹œ์˜ ๋ฐœ๋‹ฌ์€ ์‚ฌํšŒ์˜ ๋‹ค์› ํ™”์™€ ๋ฐ€์ ‘ํ•˜๊ฒŒ ๊ด€๋ จ๋˜์–ด ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ํ˜„๋Œ€ํ™”๋œ ๋„์‹œ๋Š” ๊ฒฝ์ œ, ์‚ฌํšŒ, ์ •์น˜ ๋“ฑ์ด ๋ณตํ•ฉ์ ์œผ๋กœ ์—ฐ ๊ณ„๋˜์–ด ์žˆ์–ด ํŠน

DBPIA-NURIMEDIA

์ƒ๋‹ดํ•™์—ฐ๊ตฌ,, SPSS 21.0., t,.,,,..,.,.. (Corresponding Author): / / / Tel: /

Kor. J. Aesthet. Cosmetol., ๋ฐ ์ž์•„์กด์ค‘๊ฐ๊ณผ ์ŠคํŠธ๋ ˆ์Šค์™€๋„ ๋ฐ€์ ‘ํ•œ ๊ด€๊ณ„๊ฐ€ ์žˆ๊ณ , ๋งŒ์กฑ ์ •๋„ ์— ๋”ฐ๋ผ ์ „๋ฐ˜์ ์ธ ์ƒํ™œ์—๋„ ์˜ํ–ฅ์„ ๋ฏธ์น˜๋ฏ€๋กœ ์‹ ์ฒด๋Š” ๊ฐˆ์ˆ˜๋ก ๊ฐœ ์ธ์ , ์‚ฌํšŒ์  ์ฐจ์›์—์„œ ์ค‘์š”ํ•ด์ง€๊ณ  ์žˆ๋‹ค(์•ˆํฌ์ง„, 2010). ๋”ฐ๋ผ์„œ ์™ธ๋ชจ๋งŒ์กฑ๋„๋Š” ๊ฐœ์ธ์˜ ์‹ ์ฒด๋Š” ํƒ€

<B7CEC4C3B8AEC6BCC0CEB9AEC7D B3E23130BFF9292E687770>

Jkcs022(89-113).hwp

2 ๋ฏธ์ฃผํฌ๋ฆฌ์Šค์ฒœ์‹ ๋ฌธ The Korean Christian Press ์‹œ๋ก  ์—ฌ๋ฆ„์„ ์—ด๋ฉฐ ์—ฌ๋ฆ„์„ ์•Œ๋ฆฌ๋“ฏ์ด ๋ณ•์ด ๋”ฐ๊ฐ‘ ๊ฒŒ ๋Š๊ปด์ง€๋Š” ๊ณ„์ ˆ์ž…๋‹ˆ๋‹ค. 6์›”์ด ๋˜๋ฉด ๋งŽ์€ ๊ฒƒ์ด ์‹œ์ž‘๋˜๋Š” ๊ฒƒ ๊ฐ™ ์€ ๊ธฐ๋Œ€๊ฐ์ด ์ƒ๊น๋‹ˆ๋‹ค. ๊ณ ๋“ฑํ•™ ๊ต๋ฅผ ์กธ์—…ํ•˜๊ณ  ๋Œ€ํ•™์ด๋ผ๋Š” ์ƒˆ ๋กœ์šด ๊ฒฝ์ฃผ ์ฝ”์Šค๋กœ ๋“ค์–ด์„œ๋Š” 12

Main Title

2001 Seoul Arts Center Anual report _ Reports of Operations Opera House

Transcription:

Original Article Psychoanalysis 2013;24:39-49 ISSN 1226-7503 Copyright c 2013 Korean Association of Psychoanalysis Analytical Interpretation of Drama and Cinema Cat on a Hot Tin Roof Based on The Original Play by Tennessee Williams Eyong Kim Department of Psychiatry, Sungkyunkwan University School of Medicine, Seoul, Korea Tennessee Williams ์›์ž‘์— ๊ทผ๊ฑฐํ•œ ๋œจ๊ฑฐ์šด ์–‘์ฒ ์ง€๋ถ• ์œ„์˜ ๊ณ ์–‘์ด ํฌ๊ณก๊ณผ ์˜ํ™”์˜ ๋ถ„์„์  ํ•ด์„ ๊น€ ์ด ์˜ ์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต ์˜๊ณผ๋Œ€ํ•™ ์ •์‹ ๊ฑด๊ฐ•์˜ํ•™๊ต์‹ค Four different version of Cat on a Hot Tin Roof (three stage drama and one movie) based on original play by Tennessee Williams are analyzed. Two versions ( Cat, No. 1 and 1974 Version ) were written solely by Williams himself, but other versions ( Cat, Broadway Version and Cinema ) were changed to very different drama in point of view of drama s main theme. In Cat No. 1 version the playwright tried to reveal the theme of homosexuality in his play and he also pretend to assert that the homosexuality was a kind of pure and real lifestyle of humankind. And in his play, he wanted to declare that homophobia was a kind of malignant mendacity. The author speculated that Williams had another purpose of coming out of his own homosexual life in public. But by Elia Kazan and Richard Brooks, theme of homosexuality was diluted or/and deleted during stage presentation and screenwriting. Furthermore, cinema Cat on a Hot Tin Roof became almost completely different drama from Williams original play in a viewpoint of homosexuality theme. Williams called the play Cat tragedy, but cinema Cat is happy ending drama. Thus they are not same drama even though they have same title, are they? Psychoanalysis 2013;24:39-49 KEY WORDS: Tennessee Williams Homosexuality Greed Mendacity Death. Received: March 19, 2013 Revised: April 14, 2013 Accepted: April 22, 2013 Address for correspondence: Eyong Kim, MD, PhD Department of Psychiatry, Sungkyunkwan University School of Medicine, 50 Irwon-dong, Gangnam-gu, Seoul 135-710, Korea Tel: +82-2-3410-3583, Fax: +82-2-3410-6957, E-mail: ey10kim@gmail.com - - - - www.freud.or.kr 39

Analytical Interpretation of Cat on a Hot Tin Roof 1 2 3 40 Psychoanalysis 2013;24:39-49

E Kim ์ œ3๋ง‰-๋œจ๊ฑฐ์šด ์–‘์ฒ ์ง€๋ถ• ์œ„์˜ ๊ณ ์–‘์ด 1๋ฒˆ ์ œ3๋ง‰-๋ธŒ๋กœ๋“œ์›จ์ด ํŒ ์ œ3๋ง‰-1974๋…„ ํŒ ์˜ํ™”์˜ ์ค„๊ฑฐ๋ฆฌ www.freud.or.kr 41

Analytical Interpretation of Cat on a Hot Tin Roof ์™•ํ• ์•„๋ฒ„์ง€: ์—ฌ๊ธฐ์„œ ๋‚˜๋Š” ๋ƒ„์ƒˆ๊ฐ€ ๋ญ์ง€? ๋„ˆ๋„ ๋Š๊ผˆ๋‹ˆ, ๋ธŒ๋ฆญ? ์—ญ๊ฒจ์šด ๊ฐ€์‹์˜ ๋ƒ„์ƒˆ๊ฐ€ ๊ฐ€๋“ ์ฐฌ ๊ฒƒ์„ ๋Š๊ผˆ๋‹ˆ? ๋ธŒ๋ฆญ: ์ €๋„ ๋Š๊ผˆ์–ด์š”. ์™•ํ• ์•„๋ฒ„์ง€: ๊ฐ€์‹์˜ ๋ƒ„์ƒˆ๋งŒํผ ๊ฐ•ํ•œ ๊ฒƒ์€ ์—†์ง€! ๊ตฌํผ ๋„ˆ๋„ ๋Š ๊ผˆ๋‹ˆ? ๊ตฌํผ: ๋ญ˜์š”? ์™•ํ• ์•„๋ฒ„์ง€: ๋„ˆ๋Š” ์–ด๋– ๋ƒ, ๋งค์—? ์ด ์—ญ๊ฒจ์šด ๊ฐ€์‹์˜ ๋ƒ„์ƒˆ๊ฐ€ ๋‚˜๋Š” ๊ฑฐ ๋ชป ๋Š๊ผˆ๋‹ˆ? ๋งค์—: ์ „ ๊ทธ๊ฒŒ ๋ญ”์ง€๋„ ๋ชจ๋ฅด๋Š” ๊ฑธ์š”! ์™•ํ• ์•„๋ฒ„์ง€: ๋งก์•„ ๋ด, ์ฃฝ์Œ์˜ ๋ƒ„์ƒˆ ๊ฐ™์€ ๊ฑฐ์•ผ. ์ž‘ํ’ˆ์˜ ํ๋ฆ„์ด ๋ฐ”๋€Œ๋Š” ๋ชจ์Šต - - 42 Psychoanalysis 2013;24:39-49

E Kim ํƒ์š•๊ณผ ํ—ˆ์œ„ ์™•ํ• ์•„๋ฒ„์ง€: ์ฃฝ๊ธฐ ์ „์— ๋‚ด ๋†์žฅ์„ ๋‘˜๋Ÿฌ๋ณด๊ณ  ์‹ถ๋‹ค. ๊ทธ ๋•…๊ณผ ๊ทธ ์œ„์— ์žˆ๋Š” ์‚ฌ๋žŒ๋“ค์„! (์ค‘๋žต) ์•„์ด๋‹ค, ๋‹น์‹ ๋„ ๊ฐ™์ด ๊ฐ€๊ฒ ์–ด? ์Šฌํ””์— ์ž ๊ฒจ ํ›Œ์ฉ์ด๋˜ ์™•ํ• ๋จธ๋‹ˆ๊ฐ€ ์ƒ์ „ ์ฒ˜์Œ ๋‚จํŽธ์˜ ๋‹ค์ •์Šค ๋Ÿฐ ๋ง์— ๊ฐ๊ฒฉํ•ด์„œ ๋”ฐ๋ผ ๋‚˜์„ ๋‹ค. www.freud.or.kr 43

Analytical Interpretation of Cat on a Hot Tin Roof ์ฃฝ ์Œ - - ๋™์„ฑ์•  44 Psychoanalysis 2013;24:39-49

www.freud.or.kr 45 E Kim - - - -

Analytical Interpretation of Cat on a Hot Tin Roof -? - - - 46 Psychoanalysis 2013;24:39-49

www.freud.or.kr 47 E Kim - -

Analytical Interpretation of Cat on a Hot Tin Roof ๋‚˜์˜ค๋Š” ์‚ฌ๋žŒ๋“ค์˜ ์ •์‹ ์—ญ๋™๊ณผ ์ž‘์ž์˜ ์ •์‹ ์—ญ๋™ 48 Psychoanalysis 2013;24:39-49

E Kim Conflicts of Interest The author has no financial conflicts of interest. REFERENCES All Movie Guide (AMG). http://allmovie.com. Cho DY. A Psychoanalytic Study on the Works of Chang-Sup Sohn. Seoul: Seoul National University Press;2004. p.v. Cho DY. Psychoanalysis and Korean Literature. Seoul:Ilchokak;1999. p.311. Colarusso CA. Death, rejuvenation and immortality in film: On Golden Pond (1981), Cat on a Hot Tin Roof (1958) and Cocoon (1985). Am J Psychoanal 2011;71:146-161. Davis DA. Make the Lie True : The Tragic Family in Cat on a Hot Tin Roof and King Lear. Tennessee Williams Annual Review 2002;5:1-11. Greenacre P. Play in Relation to Creative Imagination. Psychoanal St Child 1959;14:61-80. Greenacre P. The Childhood of the Artist-Libidinal Phase Development and Giftedness. Psychoanal St Child 1957;12:47-72. Gregg J. Kazan and Cat. Tennessee Williams Annual Review 2011;12. Ha J. A Psychodynamic Exploration of Creativity of Steven Spielberg- Focused in Recent 3 Movies. Korean Psychoanal Soc 2003;14:105-115. Internet Encyclopedia Britanica. http://www.imdb.com. Internet Movie Database (IMDb). http://www.imdb.com. Kanzer M. Freud on Broadway. A History of Psychoanalysis and the American Drama: By W. David Sievers. New York: Hermitage House, Inc.;1955. p.479. Psychoanal Q 1956;25:100-101. Lee GS. Gumiyonguksango. Seoul: Eulyoo Publishing Co;1970. p.58-66. Nicolay C. Hoboes, Sissis, and Breeders: Generation of Discontent in Cat on a Hot Tin Roof. Tennessee Williams Annual Review 2011;12. Palmer RB. Elia Kazan and Richard Brooks do Tennessee Williams: Melodramatizing Cat on a Hot Tin Roof on Stage and Screen. Tennessee Williams Annual Review 1999;2:1-11. Saddik A (Moderater). Out of the Closet, Onto the Page: A Discussion of Williams s Public Coming out on The David Frost Show in 1970 and His Confessional Writing of the 70s. Tennessee Williams Scholars Conference Panel Report. Tennessee Williams Annual Review 2011;12. Shackelford D. The Truth That Must Be Told: Gay Subjectivity, Homophobia, and Social History in Cat on a Hot Tin Roof. Tennessee Williams Annual Review 1988;1:103-118. Shin SW. O Neill:the pioneer of contemporary American play. Seoul: Moonji Publishing Co;1988. p.107-131 (Korean). Silvio JR. A Streetcar Named Desire--psychoanalytic perspectives. J Am Acad Psychoanal 2002;30:135-144; discussion 145-147. Weissman P. Conscious and unconscious autobiographical dramas of Eugene O Neill. J Am Psychoanal Assoc 1957;5:432-460. Weissman P. Psychopathological Characters in Current Dram: A Study of a Trio od Heroines. American Imago 1960;27:271-288. Williams T. Cat on a Hot Tin Roof. The Theatre of Tennessee Williams, Vol. 3. New York: New Directions Books;1971. Williams T. Cat on a Hot Tin Roof. translated by Kim SI. Seoul: Minumsa;2010 (Korean). Williams T. Grass Menagerie. Six Modern American Plays. New York: The Modern Library;1951. www.freud.or.kr 49