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1 Conservation of Art 1

4 Conservation of Movie Poster A Ferry Boat that Has No Owner Kim Mi-na, Kim Yoojin, Lee Tongsun Department of Conservation and Art Bank, National Museum of Modern and Contemporary Art, Korea Abstract Movie poster A ferry boat that has no owner was created in 1932 and is yet the oldest movie poster that Korean Film Archive owns. This poster contains some contamination and stain, having clear folding line on the top and bottom, and in the middle and bottom of the poster s overall color become brighter and morphological balance was accomplished forms were observed via microscopic analysis. 4

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16 Kim Eunjin Department of Conservation and Art Bank, National Museum of Modern and Contemporary Art, Korea Abstract Canvas has been used for easel paintings since 15 th century in spite of some defects such as hygroscopic nature and physical weaknesses. It is considerably light weight, expendable and has many accompanying strong factors as painting supports and that could be the reason why it is widely used until now. However, strainers and stretchers, so called especially when the paint layer is highly thick and heavy. In this paper, a number of case studies of alternative supports will be illustrated. They include; (1) A painting with very 16

17 thick paint layers (2) A painting with oil colour and sand mixture resulting a strong planar distortion with extraordinary surface tension (3) A painting with two separated strainers for travel convenience demanding a new strong stretcher (4) A canvas covered with a paste-soaked mulberry paper resulting a dimensional shrinkage of canvas after drying and a deformation of wooden strainer members at the verso. (5) A painting with acrylic with stains along the wooden strainer. Conservators today are expected to adopt minimal intervention and to use the minimum possible adhesive. A range of structural problems with modern and contemporary canvas paintings could be improved through additional backing supports or alteration of original supports. As the life expectancy of canvas painting is highly dependent on the stability of auxiliary and secondary supports, it is contemporary paintings. 17

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32 A Study on the Conservation and Outdoor Exhibit Utilization of Cesar Baldaccini Woman s Statue of Villetaneise Kwon Heehong, Lee Jee-eun, Yoon Gibeam, Park Hyesun Department of Conservation and Art Bank, National Museum of Modern and Contemporary Art, Korea Department of Collection Management, National Palace Museum of Korea** Abstract Woman s Statue of Villetaneise by Cesar Baldaccini is a female torso front-stand metal statue which is corroded in reddish brown on the surface. Without treating on the surface, reddish brown describes rough rust layers and there are surface openings on the top chest and top right. This sculpture can be stable comparably in indoors, on the other 32

33 hand, however, there are some risks of work getting damaged in outdoors. Especially as the top of the work is opened, it can be corroded by various weather conditions such as rain, snow and hail and can be damaged partially by humidity and foreign particles such as continuous accumulation of leaves in inside of the work. This paper studied then implemented to stop rain from getting into the work when outdoor exhibition is necessary by a purpose of an exhibition plan and to prepare for damages from external environments. Cesar Baldaccini, Outdoor exhibition, Restoration 33

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45 Department of Conservation and Art Bank, National Museum of Modern and Contemporary Art, Korea 45

46 Abstract Although Korea history of Oil painting is less than 100 years, it has been through transitions, having become a part of art, there is little study on art material which affects by the National Museum of Modern and Contemporary Art within Chi-Ho Oh s working and Raman spectroscopy. As a result, XRF observed Zn, Cr, Ti, Hg, Co, Fe as used mineral that materialistic characters of oil paints and artist s oil paints usage changed over the period 46

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03¹ü¼±±Ô Relevancy between Aliases of Eight Provinces and Topographical Features during the Chosun Dynasty Seon-Gyu Beom* Abstract : In Korea, aside from their official administrative names, aliases of each province