57 5 2011 701 25 The Nightingale A Conversational Poem Written in April 1798 1798 Lyrical Ballads 1798 Advertisement conversation 1798 Samuel Taylor Coleridge 1798 William Wordsworth 1798 1798 John E Jordan Lewti Or The Circassian Love Chaunt
702 43 44 1 Susan Luther 1798 1798 4 91 1798 4 1798 1798 4 Frank Doggett 547 Percy Bysshe Shelley 1798 Jack Stillinger Multiple Authorship and the Myth of Solitary Genius Zachary Leader Revision and Romantic Authorship 1 Beauty and Moonlight An Ode Fragment Nicias Erythraeus 1798 4 13 Morning Post 1798 1798 Cottle 500 D F Foxon 221 41 Colwell 68 70
703 Paul Magnuson Reading Public Romanticism 40 1798 2 1798 3 3 3 4 41 3 1798 4 1800 2 43 44 3 W J B Owen 4 McLean Harper The Eolian Harper This Lime Tree Bower My Prison Frost at Midnight 1798 Biographia Literaria
704 Jerome McGann Jeffrey Robinson Ulin 70 74 the Logos or communicative intelligence Letters 3 553 1790 1799 British Critic William Cowper The Task Smith 40 1800 1817 Sibylline Leaves 1799 1798 1798
705 4 4 69 I Frost at Midnight No 1 3 No cloud, no relique of the sunken day Distinguish the West, no long thin slip Of sullen Light, no obscure trembling hues. Bernstein 341 42 Hopkins 436 41 Enright 489 William Collins Thomas Gray 5 5 1796 To the Nightingale 2
706 4 Oxford English Dictionary 5 8 5 7 You see the glimmer of the stream beneath. But hear no murmuring: it flows silently O er its soft bed of verdure. Adam Sisman 230 1798 5 Alfoxden doggerel 4
707 12 15 And hark! the Nightingale begins its song, Most musical, most melancholy Bird! A melancholy Bird? O idle thought! In nature there is nothing melancholy. Morris G S 66 67 O 6 3 3 38 Charles James Fox The Early Letters 296 6 Il Penseroso Sweet bird that shunn st the noise of folly Most musical most melancholy 61 62
708 John Wilson The Poetical Works of Samuel Taylor Coleridge 611 16 20 21 23 21 27 28 7 7 George Berkeley Magnuson 37 Robert Southey
709 33 34 Albert Gerard 307 18 8 9 1798 4 Timothy Enright This Lime Tree Bower My Prison Letters 1 335 Morris 51 55 Frost at Midnight 58 61 G S Morris sacramental act 52 26 One life 47 95 96 8 1 188 diastolic systolic 307 18 9 On Poesy or Art Expostulation and Reply 24 Burwick 177 Gene M Bernstein 2 the secondary imagination 256
710 493 1798 Lines Written in Early Spring 1 The Rime of the Ancyent Marinere 5 351 346 36 36 37 10 39 II a different lore 41 Teaching Lehre lore 10 Paradise Lost 4 767 770 Lycidas Comus
711 different 41 42 3 43 49 Tis the merry Nightingale That crowds, and hurries, and precipitates With fast thick warble his delicious notes, As he were fearful, that an April night Would be too short for him to utter forth His love-chant, and disburden his full soul Of all its music!
712 Tereus 51 53 58 64 They answer and provoke each other s songs With skirmish and capricious passagings, And murmurs musical and swift jug jug And one low piping sound more sweet than all Stirring the air with such an harmony, That should you close your eyes, you might almost Forget it was not day! 5 351
713 Fred V Randel 35 1798 Peter Barry 613 66 69 72 73 Holstein 217 Frederick Schiller 208 74 3
714 77 11 Morris Dickstein 379 80 86 12 III Il Penseroso 11 Dorothy Wordsworth 279 298 12 Lectures on Shakespeare and Milton at Bristol Lectures and Notes 459
715 1798 8 7 Anti- Jacobin Magazine and Review James Gillray The New Morality Charles Lamb Robert Southey Charles Lloyd Roe 76 Johnston 360 61 434 1790 13 13 Thomas McFarland 228 29 Kathleen Wheeler The Eolian Harp 90
716 15 1798 The Tables Turned 27 27 27 14 pathetic fallacy Friedrich Wilhelm Nietzsche On Truth and Lie in an Extra Moral Sense 16 14 The Tables Turned
717 109 15 1798 1798 1798 93 Descriptive Sketches 114 15 An Evening Walk 15 Anya Taylor 38
718 1798 Lines Left upon a Seat in a Yew tree 16 Ruined Cottage The Pedlar Brian Goldberg 335 This Lime Tree Bower My Prison Charles Lamb 16 Lucy Newlyn 45
719 91 97 My dear Babe, Who, capable of no articulate sound, Mars all things with his imitative lisp, How he would place his hand beside his ear, His little hand, the small forefinger up And bid us listen! And I deem it wise To make him Nature s playmate. Frederick Burwick 19 177 Letters 1 352 67 77
720 105 10 Well It is a father s tale. But if that Heaven Should give me life, his childhood shall grow up Familiar with these songs, that with the night He may associate Joy! Once more farewell, Sweet Nightingale! once more, my friends! farewell. 1798 Anecdote for Fathers 17 34 31 17 Gene M Bernstein 250
721 Shakespearean Criticism 1 185 William Godwin 1800 9 Letters 1 353 3 18 1796 12 17 John Thelwall 1 14 17 1798 4 19 18 Reflections on Having Left a Place of Retirement Horace Satires Sermoni propriora more appropriate for a sermon Magnuson The Conversation Poems 32 Wu 453 19 Elizabeth T McLaughlin 562 64
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725 The Conversational Revisionism of The Nightingale Abstract Hyeuk Kyu Joo (Gyeongsang National U) This paper attempts to read The Nightingale as an experimental proponent of Lyrical Ballads of 1798, one that inaugurated British Romanticism. It is never accidental for this poem to come to replace Lewti at the last moment of publication and to be tied to the poetic principles manifested in the Advertisement of the 1798 volume. The speaker of this poem, for example, is an ordinary man, who presents himself as a friend and a loving father. Opting for conversational styles rather than blindly copying literary conceits, he even incorporates an evening episode he happens to recall into a legitimate subject matter. The notion of conversation, which appears in the subtitle, offers a key to figuring out the ideal of poetic language, the figure of the poet, and compositional procedures Coleridge and Wordsworth proposed in their collaborative project. The Nightingale can be a dubious, if not totally failed, poetical journey to subverting an incidence of misnaming acts. He finally reaches the limits of poetic figuration in a process of textualizing nature. The leitmotif of In nature there is nothing melancholy testifies to the fact that the bird nightingale, which the narrator is hard at work to rename as a joyous bird, is nothing but a poetic metaphor. The Nightingale is more likely to be a revisional, regenerative performance based on the strategy of conversation than an embodiment of a daring novelty. Key Words: Lyrical Ballads, Coleridge, Wordsworth, The Nightingale, conversation