실용음악의 현황과 전망

Similar documents

11¹Ú´ö±Ô

歯1.PDF

<B3EDB9AEC1FD5F3235C1FD2E687770>

.,,,,,,.,,,,.,,,,,, (, 2011)..,,, (, 2009)., (, 2000;, 1993;,,, 1994;, 1995), () 65, 4 51, (,, ). 33, 4 30, (, 201

11¹ÚÇý·É

#Ȳ¿ë¼®

부산대학음악\(조선,김원\)

AT_GraduateProgram.key

pdf 16..

<BABBB9AE2E687770>

세종대 요람

성도

<353420B1C7B9CCB6F52DC1F5B0ADC7F6BDC7C0BB20C0CCBFEBC7D120BEC6B5BFB1B3C0B0C7C1B7CEB1D7B7A52E687770>

Journal of Educational Innovation Research 2017, Vol. 27, No. 2, pp DOI: : Researc

<C3D6C1BEBFCFB7E12D30372E3032C0DBBEF72DB1B9BEC7BFF820B3EDB9AEC1FD20C1A63139C1FD28C0FCC3BC292E687770>

12Á¶±ÔÈŁ

: 4 2. : (KSVD) 4 3. :

<31372DB9CCB7A1C1F6C7E22E687770>

Output file

레이아웃 1

Microsoft Word - USW 英語課清單 Fall 2009

<BFA9BAD02DB0A1BBF3B1A4B0ED28C0CCBCF6B9FC2920B3BBC1F62E706466>

2 I.서 론 학생들을 대상으로 강력사고가 해마다 발생하고 있다.범행 장소도 학교 안팎을 가리지 않는다.이제는 학교 안까지 침입하여 스스럼없이 범행을 하고 있는 현실 이 되었다.2008년 12월 11일 학교에 등교하고 있는 학생(여,8세)을 교회 안 화장 실로 납치하여

UPMLOPEKAUWE.hwp

대한한의학원전학회지24권6호-전체최종.hwp

<BCBCC1BEB4EB BFE4B6F72E706466>

歯kjmh2004v13n1.PDF

<C7D1B9CEC1B7BEEEB9AEC7D03631C1FD28C3D6C1BE292E687770>

38이성식,안상락.hwp

우리들이 일반적으로 기호

歯3이화진

10송동수.hwp

DBPIA-NURIMEDIA

<B9AEC8ADB0E6C1A6BFACB1B820C1A63137B1C720C1A633C8A C2F720BCF6C1A4BABB292E687770>


歯M PDF

歯kjmh2004v13n1.PDF

27 2, 17-31, , * ** ***,. K 1 2 2,.,,,.,.,.,,.,. :,,, : 2009/08/19 : 2009/09/09 : 2009/09/30 * 2007 ** *** ( :

<C0C7B7CAC0C720BBE7C8B8C0FB20B1E2B4C9B0FA20BAAFC8AD5FC0CCC7F6BCDB2E687770>

2011´ëÇпø2µµ 24p_0628


<B9AEC8ADC4DCC5D9C3F7BFACB1B82D35C8A32833B1B3292E687770>


Journal of Educational Innovation Research 2019, Vol. 29, No. 1, pp DOI: * Suggestions of Ways

<C1DF3320BCF6BEF7B0E8C8B9BCAD2E687770>

30이지은.hwp

본문01

중국 상장회사의 경영지배구조에 관한 연구

10박구만_ok.hwp

04-다시_고속철도61~80p

아태연구(송석원) hwp

<32382DC3BBB0A2C0E5BED6C0DA2E687770>

Journal of Educational Innovation Research 2019, Vol. 29, No. 1, pp DOI: (LiD) - - * Way to

[ 영어영문학 ] 제 55 권 4 호 (2010) ( ) ( ) ( ) 1) Kyuchul Yoon, Ji-Yeon Oh & Sang-Cheol Ahn. Teaching English prosody through English poems with clon

07_Àü¼ºÅÂ_0922

Journal of Educational Innovation Research 2018, Vol. 28, No. 3, pp DOI: NCS : * A Study on

Journal of Educational Innovation Research 2017, Vol. 27, No. 1, pp DOI: * The

인문사회과학기술융합학회

<BFB5B3B2C7D03231C8A32DC3D6C1BEC6EDC1FDBABB2836BFF93236C0CF292E687770>

CDP_Korean-00

,,,.,,,, (, 2013).,.,, (,, 2011). (, 2007;, 2008), (, 2005;,, 2007).,, (,, 2010;, 2010), (2012),,,.. (, 2011:,, 2012). (2007) 26%., (,,, 2011;, 2006;

<B3EDB9AEC1FD5F3235C1FD2E687770>

원고스타일 정의

1. 서론 1-1 연구 배경과 목적 1-2 연구 방법과 범위 2. 클라우드 게임 서비스 2-1 클라우드 게임 서비스의 정의 2-2 클라우드 게임 서비스의 특징 2-3 클라우드 게임 서비스의 시장 현황 2-4 클라우드 게임 서비스 사례 연구 2-5 클라우드 게임 서비스에

(5차 편집).hwp

business structure CJ Culture Foundation 문화를 키우다 나누다 CJ문화재단이 하는 일 다양한 장르의 창작자 지원을 통한 문화융성 세계 무대를 향한 도전 함께하는 문화나눔 우리는 문화의 다양성을 추구합니다. CJ문화재단은 자유로운 상상,

_Prain Global 회사소개서_pt용

민속지_이건욱T 최종

<B7CEC4C3B8AEC6BCC0CEB9AEC7D B3E23130BFF9292E687770>

한국성인에서초기황반변성질환과 연관된위험요인연구

05Çѱ۳»Áö11

~41-기술2-충적지반

Journal of Educational Innovation Research 2017, Vol. 27, No. 1, pp DOI: NCS : G * The Analy


OP_Journalism

아니라 일본 지리지, 수로지 5, 지도 6 등을 함께 검토해야 하지만 여기서는 근대기 일본이 편찬한 조선 지리지와 부속지도만으로 연구대상을 한정하 기로 한다. Ⅱ. 1876~1905년 울릉도 독도 서술의 추이 1. 울릉도 독도 호칭의 혼란과 지도상의 불일치 일본이 조선

정치컴 23호-최종.hwp

11.8.HUHkoreanrock.hwp


항공우주뉴스레터-제13호-컬러3

27송현진,최보아,이재익.hwp

Journal of Educational Innovation Research 2018, Vol. 28, No. 1, pp DOI: Educational Design

<BFACBCBCC0C7BBE7C7D E687770>

Stage 2 First Phonics


<28BCF6BDC D B0E6B1E2B5B520C1F6BFAABAB020BFA9BCBAC0CFC0DAB8AE20C1A4C3A520C3DFC1F8C0FCB7AB5FC3D6C1BE E E687770>

< C7D0B3E2B5B520C0DABFACB0E8BFAD20B8F0C0C7C0FBBCBAB0EDBBE72020B9AEC1A62E687770>

<B1B3B9DFBFF83330B1C7C1A631C8A35FC6EDC1FDBABB5FC7D5BABB362E687770>

03-ÀÌÁ¦Çö

국악누리5월호2차내지

사운드네트워크(주)_소개서 KEYNOTE( )

7 1 ( 12 ) ( 1912 ) 4. 3) ( ) 1 3 1, ) ( ), ( ),. 5) ( ) ). ( ). 6). ( ). ( ).

7 1 ( 12 ) 1998.,. 5 ( ) ( ) ( ) ( ) ( ) ( ). 4) ( )..,. 5) ( ).,, ( ) ( ). 6)., 2, ( )., ( ) ( ).

사단법인 커뮤니케이션디자인협회 시각디자인학회

pdf..

이수구분 학수번호 교과목명 학점 시수 영문교과목명 현대독일미학Ⅱ 3 3 Contemporary German Aesthetics 현대프랑스미학Ⅰ 3 3 Contemporary French Aesthetics 현대프랑스미학

untitled

퍼스널 토이의 조형적 특성에 관한 고찰

별을 닮은 대학 별을 담은 대학 KYUNGSUNG UNIVERSITY 학생 중심의 맞춤형 진로설계, 취업&창업 프로그램 복수학위부터 해외 인턴십까지, 글로벌 네트워크 세상을 움직이는 경성인, 동문 파워 교육 패러다임의 진화, 교육 학생지원 프로그램

Transcription:

* 1 2 (1) 2 (2) 4 (3) (4) 3 1 80 1 ( ),, 2001 ( ) ), 10 ( :, 2001), 5

23,,, 2000916, 21 1, ),? ( :, 2001),, 243 ;, ( :, 2001),, 251;, ( :, 2001),, 261

,?, (Gebrauchsmusik),, 20,,?? 200112

23 24,, 2 2, 4

, 2, 4,, <1> 2

23 <2> 4 1,, ( - ) ( ),, (, )

( ) ( ) (CCM), - ( ) (, ) 3 <3> () ( ) 2001 12

23 200012 1 200012 2 16, 4 11, 5 1 200112 2 29 13, 4 18 7, 8 3 (1) 2,,,,,,,, ( ),,, ), ( ), 10, 35-36

< > I-II I-II - I I-II-III-IV I-II I-II I-II < > I-II I-II I-II I-II-III-IV I-II III-IV I-II I-II I-II I-II I-II 2,,, 4

23 21, 6, PC Game,

,,,,,,,, (,, ), 2,

23, (2) 4,,,, '21 ', ( ),,, CD 1,,,

, 20 1 (Technical Practice of 20th Century Music) 20 2 (Technical Practice of 20th Century Music 2) (Practice of Orchestration) (Study of Lyrics) (Counterpoint) 1 (Fusional Performance Ensemble of Eastern-Western Music 1) 2 (Fusional Performance Ensemble of Eastern-Western Music 2) (Aesthetics of Eastern and Western Music : Seminar) (Apprehension of Eastern Music) (Theory of Eastern Music) (MIDI) (MIDI and Sound Control) (Chromatic Harmony) (Practice of Chromatic Harmony) (Theory of Western Music), (Listening and Solfeggio : advanced) (Instrument Study) (Film/Video and Music Coordination) (Analysis of Musical Works) (Internet and Music Producing) 1 (Theory of Jazz 1) 2 (Theory of Jazz 2) 12 (Performance 1~2) 36 (Performance 3~6) 7 (Performance 7) (Composition : basic) Studio Session 1 (Studio Session : advanced 1) Studio Session 2 (Studio Session : advanced 2) Studio Session 1 (Studio Session : more advanced 1) Studio Session 2 (Studio Session : more advanced 2) Studio Session 3 (Studio Session : more advanced 3) 1 (Concept Design and Music Producing 1) 2 (Concept Design and Music Producing 2) 3- (Concept Design and Music Producing 5 - for Graduation Recital) (Sound Engineering : basic) (Sound Engineering : advanced) (Composition : advanced) (Computer Music and Sound Design : basic)

23 (Computer Music and Sound Design : advanced) (Eastern Music Performance : basic) (Eastern Music Performance : advanced) (Acoustics : basic) (Acoustics and Music Devices: advanced) (Computer Music Networking) (History of Computer Music) (Theory of Post-modern Music) 1 (Composition of Fusional Music 1) 2 (Composition of Fusional Music 2) (Composition of String Orchestra) MAX MSP (Programming by MAX and MSP) 20,,

, (Synchronization) 1-7 (Session) (Session man) -

23, 2 MAX MSP MAX MSP ) Aaron Copland, The New Music 1900-1960, New Electronic Media W W Norton Company, 1968, P183

21, TV MIDI, 90%MIDI 2000,, MIDI 1, 2 MIDI 1, 2 1, 2

23 1, 2 1, 2, 3, 4 1, 2 1, 2 1, 2 TV, TV CF,,,,,,,,,

,, TV 4 2 (3),,, 21,

23 21 I II A B I II I II, I II I II I II I II (Film Music Production) (Orchestration for Film Scoring) (Film Music : History and Theory)

I (Audio Design for Video I) II (Audio Design for Video II) I (Multimedia Music Production I) II (Multimedia Music Production II) (Recording I) (Recording II) III (Recording III) (Recording IV) (Musical Acoustics I) (Musical Acoustics II) (Sound Synthesis) (Concert Recording) (Computer Music Synthesis) (Advanced Computer Music Synthesis) I (Master's Project Preparation I) II (Master's Project Preparation II) (Electronic and Computer Music Literature) (Internship) 2,,

23 ( ),,,,,,, (Electronic and Computer Music Literature) (Orchestration for Applied Music) (Multimedia) (Musical Acoustic) (Recording Engineering) (Tone Synthesis) (Studies in Popular Music) I (Composition of Computer Music I) II (Composition of Computer Music II) (Music Composition for Video and Film) (Composition and Arrangement of Jazz) (Internship) (Research for the Master's Degree ) (Intensive Lecture of Musicology) (Seminars on Cultural Studies)

,, 1, CCM CCM, 2 21 CCM (4)

23 2 4 4,,,,,,, 4,, 1-4 3, 21,

,, 4 2 CF,, ( ) /,,

23 3 4 2 4,,,,,, 2 MBC SBS KBS,,,

,,, (Music Director) PD PD PD / / PR TV TV / / )

23,,

, art0011@daunetdongaackr :,,,, (, 1996), 1(, 1984), 2(, 1986), 4(, 1993), (1995), (, 1995), (, 1994), (, 1989), (, 1994), (, 1995), (, 1996), (, 1990), (, 1996), (, 1995), (, 1996), (, 1996) (TWAdorno), (, 1993) ( ), (, 1993), (, 1992), (, 1989)

23 The present state and prospects of the applied music Park Chul-Hong applied music has taken its own reputation as the subject of university education Therefore, this thesis is to look for graduate schoolseducational goals, curriculums, and directions ahead through the current status of colleges or universities opening the applied music course as of December, 2001 It is also to define current applied music and to seek for an object to offer an proposal for the future As a result of the survey, the applied music courses have been opened in 16 colleges (requiring two years for graduation), 11 universities(requiring four years), and 5 graduate schools by the end of 2000 One year after that, it has drastically jumped up to 29 for college, 18 for university, and 8 for graduate school Its surging is specially attributed to various job creation such as commercial musicians, singers, professional artists, music producers, sound editors, computer musicians, electronic musicians, Instrumental musicians, applied vocalists, sound engineers, music management, music therapists, sound designers, pop musician, piano tuner, musical instrument producers and repair men And it is also due to take an opportunity as an educational beneficiary that applied music we have met routinely and enjoyed has been positioned in the center of the music, stopping wandering around artistic music But the music should construct further it s independence and strive to secure its own creative area In order to do that, we should practice viable education at its own identity by means of inclusively combining new eras such as classical music, pop music, oriental traditional music, computer backed music and other multi media supported music We must admit that the public will be throughout educational demanders and should positively come up with the change of the times being requested by engineering mechanism And we must further drive new pertinent job creation and Korean music culture into

the direction of the future through training integrated knowledgeble music experts Not only educational market or demand, but also future cultural technology that educational beneficiaries newly create are like an undeveloped areas Those are all future of the applied music However, there are many educational problems to solve Recently most universities have opened the courses or similar ones, but they must improve lack of educational resources and shortage of expensive practical musical instruments that might result in a hole of education And morale hazard concealed in commercial success should be definitely improved