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9 18 9, ( ),,,, 5 (AGBaumgarten ) (Aesthetica, 1750),, 1 ) Bellamy HoslerChanging Aesthetic Views of Instrumental Music in 18th-Century Germany (Ann Arbor: UMI Research Press, 1981)3

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16 15 ( ), (),, ( ), Les beaux arts rduits un me^me principe(1746) 1,,, ( ), (, isomorphism), 3 ) Johann Adolph Schlegel, Einschrnkung der schnen Knste auf einen einzigen Grundsatz (Leipzig, 1751) Philipp Ernst Bertram, Die schnen Knste aus einem Grunde hergeleitet (Gotha, 1751) Johann Christoph Gottsched, Auszug aus des Herrn Batteux schnen Knste aus dem einzigen Grundsatz der Nachahmung hergeleitet Zum Gebrauch seiner Vorlesungen mit verschiedenen Zus tzen und Anmerkungen erlutert (Leipzig, 1754) Karl Wilhelm Ramler, Einleitung in die schnen Wissenschaften (Leipzig, )

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24 15,, 18, 19 Primary Sources Forkel, Johann Nikolaus, Allgemeine Geschichte der Musik 2 vols Leipzig, 1788, 1801 Krause, Christian Gottfried Von der musikalischen Poesie Berlin, 1752 Meier, Georg Friedrich Anfangsgrnde aller schnen Knste und Wissenschaften 3 vols Halle, Schubart, Christian Friedrich Daniel Ideen zu einer Aesthetik der Tonkunst Vienna,1806; facsimile ed, Hildesheim: Georg Olms Verlag, 1969 Secondary Sources Abrams, M H The Mirror and the Lamp New York: Oxford Univ Press, 1953 Beardsley, Monroe C Aesthetics from Classical Greece to the Present New York: Macmillan Co, 1966 (,, [ ], :, 1987) Dahlhaus, Carl Esthetics of Music William Austin, trans Cambridge University Press, 1982 (,, [ ], :, 1987) The Idea of Absolute Music Roger Lustig, trans Chicago and London: The University of Chicago Press, 1989 Hosler, Bellamy Changing Aesthetic Views of Instrumental Music in 18th-Century Germany Ann Arbor: UMI Research Press, 1981 Le Huray, Peter "The Role of Music in Eighteenth and Early Nineteenth Century Aesthetics" Proceedings of the Royal Musical Association 105 ( ):90-99 Le Huray, Peter, and Day, James Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries John Stevens and Peter le Huray, eds Cambridge and London: Cambridge University Press, 1981 Lessem, Alan "Imitation and Expression: Opposing French and British Views in the 18th Century" Journal of the American Musicological Society 27 (1974): Neubauer, John The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics New Haven: Yale University, 1986 Strunk, W Oliver Source Readings in Music History from Classical Antiquity through the Romantic Era New York: Norton, 1950; reprint, 1965,, 1990

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